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Their alliance, a perfect meeting of passion and pedagogy, seems indivisibly strong-but, by the end of the film, we have learned that it is otherwise, owing to the self-hatred and cruelty that homosexual love can inspire, even in Weimar Berlin.
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Paul responds by offering Kurt his great open palm. “My deepest wish would come true if you were willing to be my teacher!” an intertitle reads. Kurt Sivers, round-faced, excitable, has seen all of Paul’s concerts, and he approaches the master nervously, hands clutched to his chest.
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Then an unlikely event sets him on a new course: a young music student has come calling. He is Paul Körner, a violin virtuoso, and, in his silk housecoat, surrounded by heavy drapery and Grecian statuettes, he appears to live a life that is resplendent but lonely. In it, a gaunt, handsome man plays the piano in his Berlin drawing room. There is only one hopeful scene in "Different from the Others," a silent picture from 1919 that is widely considered the first feature film about gay love.